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La Haine is both stylised and naturalistic, placing the audience deep within its banlieue setting, so that it becomes an observer of what the then-president Jacques Chirac had described disparagingly a couple of years earlier in his career as " le bruit et l'odeur " (the noise and the stench) of such working-class areas.
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Kassovitz wrote La Haine in the aftermath of a riot that took place on 6 April 1993 following the death of a teenage boy, Makome M'B owole, who'd been shot in the head while in police custody. La Haine begins with images of rioting and a news report that a young Arab has been left in a coma, brutalised by police - a storyline inspired by.
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La Haine's most famous sequence sees the camera hop out of a bedroom window and glide over the banlieue itself, both as an angel and an ominous portent. It features a cameo by DJ Cut Killer, who.
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Twenty years on, La Haine' s tale of struggle in the banlieues continues to resonate with filmmakers and musicians of all stripes, with May Allah Bless France! and Girlhood offering new twists on a similar theme. The former, a blistering autobiographical rendering of rapper and spoken-word artist Abd al Malik's hard-knock upbringing in.
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La Haine had a huge impact on French society - leading newspapers to discuss poverty in the outer cities and provoking politicians from President Jacques Chirac to National Front leader.
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La Haine is 25 years old. Since Mathieu Kassovitz 's debut first screened there's arguably not been another French film that has had as significant an impact. In the land that gave us champagne, La Haine is a Molotov cocktail.
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La haine 1995 Not Rated 1h 38m IMDb RATING 8.1 /10 192K YOUR RATING Rate POPULARITY 2,341 25 Crime Drama 24 hours in the lives of three young men in the French suburbs the day after a violent riot. Director Mathieu Kassovitz Writer Mathieu Kassovitz Stars Vincent Cassel Hubert Koundé Saïd Taghmaoui See production info at IMDbPro RENT/BUY from $3.99
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La Haine has its moments of physical violence. There's the less than gentle hassles with the police as well as the torture in the police offices. There's the fight with the skinheads in the street, where Hubert and Said are beaten by maniacs. There's the dark moment where the policeman kills Vinz. Then, there is the retaliation by Hubert.
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Starring Vincent Cassel, Hubert Koundé and Saïd Taghmaoui, the film chronicles a day and night in the lives of three friends from a poor immigrant neighbourhood in the suburbs of Paris. The title derives from a line spoken by one of them, Hubert: " La haine attire la haine! ", "hatred breeds hatred".
La haine
Mathieu Kassovitz took the film world by storm with La haine, a gritty, unsettling, and visually explosive look at the racial and cultural volatility in modern-day France, specifically the low-income banlieue districts on Paris's outskirts. Aimlessly passing their days in the concrete environs of their dead-end suburbia, Vinz (Vincent Cassel), Hubert (Hubert Koundé), and Saïd (Saïd.
La Haine
A work of tough beauty, La Haine is a landmark of contemporary French cinema and a gripping reflection of its country's ongoing identity crisis. Winner of the Best Director Prize at the 1995 Cannes Film Festival, and the César Award for Best Film. Written and Directed by Mathieu Kassovitz Cinematography by Pierre Aïm Camera Operator: Georges Diane
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La Haine also kicked off a global wave of generational protest cinema, from Fatih Akin's Hamburg-set Short Sharp Shock (1998) to Gabriela Pichler's coming-of-age tale Amateurs (2018), about.
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La haine convincingly shows how young people from the banlieue, especially nonwhites, are harassed by the police, but it also demonstrates the violent gun culture that pervades their milieu, with terrible consequences in the film's stunning finale. Sarkozy points out that Kassovitz's blog concentrates on the violent minority rather than the.
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Sat 23 May 2020 05.00 EDT E ven the wrong question points to the truth. When, in June 1995, Paris's eastern suburb of Noisy-le-Grand began rioting after the death of a 21-year-old French-Arab in a.
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3. Reversal of Stereotypes The use of a multicultural minority cast allows for the film to address certain harmful stereotypes. Saïd and Hubert, both of African origin, would be considered outsiders in the group and—in the eyes of right-wing xenophobes—problematic to French society.
